I have crushes on/
pretty women ’til they prove/
they lack English* skills.
OR
*writing
I have crushes on/
pretty women ’til they prove/
they lack English* skills.
OR
*writing
I’m ignoring her,/
of course. Otherwise it hurts/
too much to recall.
When you’re a kid in/
a candy store, sometimes you/
have to take stuff back.
Some may call out
their Love
loudly,
in public.
I would never,
by name,
name her who inspires,
uplifts,
motivates me.
She
will be
still.
Quiet.
Unknown
to the world,
known only
to me.
As it should be.
I won’t write
about her,
by name;
by specific reference.
The world would never say:
“This piece about her,
specifically.”
Who was the piece
“Fuer Elise” for?
Who was Elise?
If she is my muse,
I must write about her.
I cannot keep silent
about her.
But no one will ever know,
for sure,
it is her.
Just as God writes about people:
“There was a certain woman …”
keeping her identity
private,
only by inspiration
known.
And if she asks:
“Is it I?”,
I may smile.
She who once played with/
me is now harsh on my play,/
But I deserve it.
OR
She who once played with/
me is now harsh on my play,/
But deservedly.
Isn’t it better/
to rise to meet someone than/
to fall for someone?
I had heard
his rhyming words
before,
espousing how glor-
ious he thought his love.
How she was sent from above.
How she was his true lover.
How he could not imagine another.
And now,
somehow,
he takes up his pen
and again
speaks of his love, sweet.
How she is so neat.
And though this one
is maybe not as fun,
she is not the bummer
as was his love of last summer.
So what am I to believe?
He scarcely took time to grieve
his previous girl
whom (he proclaimed to the world)
was sent to him.
Did she become some whim?
The even deeper question
to this public indigestion
is: Where comes the need to publicly proclaim
about a latest passionate love and flame?
I don’t even want to look
at such posts on Facebook,
because I know I’ll read there
about some new love so true and rare.
Just like we all did last year
about someone who was thought equally dear.
Why does the poet yet again
(as he did back so earnestly then)
feel the need to shout
publicly out
someone he’s now crazy about?
(And it’s not just him.
Many others, seemingly on a whim,
positively state
they’ve found their true mate.)
(And we knowingly smile
and wait awhile
until the new romance starts to fade
like morning dew in a sun-drenched glade).
Why don’t such lovers, instead,
(knowing how emotions so oft are mislead)
watch, wait and see
if the new “we”
(this romantic she plus he)
can make that commitment
which is truly heaven-sent
for eternity?
We can, (and should) I suppose,
publicly disclose
when we are fond of one,
how we, together, have fun.
But to loudly and publicly proclaim
“She’s the ONE!” seems a bit inane.
If this is indeed a love so rare
why not be quiet and keep it hidden there?
At least until it grows and blossoms forth.
At least until love has truly run its course
and we’re ready to shout “S/he and me
will now be us for eternity?”
I, for one, have my doubts
that such proclaimed “true love” will last out,
(just based on experience;
knowing how other ones went.)
Of course, when we hear such a new boast,
we could, I guess, prepare a generic post (or toast):
“OH! You both make such a cute pair!
You and [insert the new love’s name here____].”
That is not at all to say
that the poet should be silent. No way!
We may, in messages between us
expound our full love beyond what ever was.
Such private notes of sweetest passion
put us in Browning’s and Tennyson’s fashion.
Some lovers may in the future find
hope in our quiet proclaimed love divine.
But to place such words out for all to see
Feels like love (and such thoughts) come cheaply.
That it doesn’t really matter who:
We just need someone to publicly woo.
Call me a jaded cynic.
Perhaps it’s true.
But I’ll not mimic
exposing my love to view.
At least ’til I know, and am sure
She’s the one who I’ve searched for.
Then, it would seem quite right
To write a sonnet for our wedding invite.
When a dream girl from/
your past once more reappears/
how should you respond?
Why are you sorry/
for what your heart wants? You can’t/
change that I’m not that.